S. 2. 11. Sonja Thoms: Stewarding the Legacy and Future of the Wheeling Symphony Orchestra

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S. 2. 11. Sonja Thoms: Stewarding the Legacy and Future of the Wheeling Symphony Orchestra
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Sonja Thoms is expanding the Wheeling Symphony Orchestra’s community presence through an innovative outreach strategy. Building on her decades of experience with the League of American Orchestras, Thoms recently established the WSO Community Choir, which will make its debut performing alongside the Symphony this season. Her plans include bringing the established Wheeling Youth Orchestra under the WSO’s umbrella and launching a Community Orchestra to give recreational adult musicians performance opportunities. These initiatives align with the League’s evolving vision, which increasingly emphasizes youth development and community engagement.

More in the show notes at https://accelerandocast.com/show_notes/

S. 2. 10. Germany: Scholars Authenticate A Previously Unknown Mozart Serenade For Two Violins And Cello

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S. 2. 10. Germany: Scholars Authenticate A Previously Unknown Mozart Serenade For Two Violins And Cello
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A twelve minute composition in seven movements has been dubbed “Very Little Night Music” and added to the catalogue of Mozart’s work, it is now KV 648. Scholars believe it was a work of Mozart’s youth, maybe as young as ten years old. There are very few chamber works from Mozart’s youth that survived, even though Leopold Mozart made a list of compositions. Today we’ll hear a work that was lost, and recently found in a Library in Leipzeig. An article in Gizmodo has more details. I also asked Andy Kohn to speak about instrumentation in the time period.

More in the show notes at https://accelerandocast.com/show_notes/

S. 2. 9. Live Music: Business is Good/Candlelight Concerts with Juan Jaramillo

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S. 2. 9. Live Music: Business is Good/Candlelight Concerts with Juan Jaramillo
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Live music is increasing in our post-covid world. Gen Z-ers are outpacing Millenials for the first time as ticket buyers. It’s an exciting time to be a professional musician, and Juan Jaramillo gives us a look at the Candlelight concerts featuring classical musicians.

More in the show notes at https://accelerandocast.com/show_notes/

S2. 8. With the Beo Quartet’s Sean Neukom: Beethoven’s op. 132- Song of Thanksgiving

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S2. 8. With the Beo Quartet's Sean Neukom: Beethoven's op. 132- Song of Thanksgiving
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Beethoven became gravely ill in the Spring of 1825. When he recovered he continued writing his fifteenth String Quartet. This third movement gives us special insight into Beethoven’s belief that he dodged death for at least a few years. Sean Neukom finds Beethoven’s use of Renaissance and Baroque compositional styles another indication that Beethoven was expressing his mortality, that he knew he’s be joining these composers in the after life soon, but at least he got to write a few more pieces before meeting his maker.

More in the show notes at https://accelerandocast.com/show_notes/

S2. 7. Earworms (The Songs In Your Head)

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S2. 7. Earworms (The Songs In Your Head)
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The Germans had the word for centuries. In Ancient times, they even thought a bug ground up could treat ear diseases. Today it simply means the music that gets stuck in your head

More in the show notes at https://accelerandocast.com/show_notes/

S2. 6. Misophonia, ASMR and Bagpipes

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S2. 6. Misophonia, ASMR and Bagpipes
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People often get a repulsion to sounds. Chalk, dentist drills, even bagpipes. Is this the same as Misophonia? What about ASMR: is it a subset of Misophonia? Today we find out.

More in the show notes at https://accelerandocast.com/show_notes/

S2. 5. The Auditory Complex; How We Hear

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S2. 5. The Auditory Complex; How We Hear
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Over the course of your lifetime your auditory complex learns your preferences in terms of what you want to focus on in environment and music. We can make a lot of technical comparisons like the way AI learns our likes and dislikes: Music, Shopping, Foods, and more. Every day our ears filter sounds. And each of us develop our own “playlist” during the course of our lives.

More in the show notes at https://accelerandocast.com/show_notes/

S2. 4. Timbre and Texture

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S2. 4. Timbre and Texture
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Perhaps the most distinctive element of music is the one that gives nuance to our daily lives. Our ears never really sleep. They interpret the world, keep us safe, and give ongoing descriptions as we make our way through the day. When you ask yourself what your favorite song or singer or type of music is, consider the timbre.

More in the show notes at https://accelerandocast.com/show_notes/

S2. 3. Music after Digital Recording

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S2. 3. Music after Digital Recording
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The Camera can’t be equated with the Phonograph if you consider artists were capturing images and likenesses for centuries. The phonograph is more like the first canvas that can hold a performance or a moment in perpetuity. It came sixty years after the camera. It’s been here for one hundred years. Now the camera and the digital audio station are about on par. Music hasn’t caught up with art by any means. It’s just getting started.

More in the show notes at https://accelerandocast.com/show_notes/

S2. 2. Authenticity

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S2. 2. Authenticity
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This week’s episode makes a wide arc from classical musicians and how they determine authenticity in an orchestral audition scenario, to how non musicians listen to music and determine which artists earn the badge of “authentic” in a variety of genres. More in the show notes at https://accelerandocast.com/show_notes/